Are Conferences Worth the Price?



HNS Reception - photo by Adelaida Lucena-Lower



Recently I attended the Historical Novel Society's conference in San Diego, where I was a panelist with three other authors, all of whom have a stack of best-sellers to their credit. Flights cross-country, hotel room prices, and conference fees can add up pretty quickly, and people have asked me, are conferences really worth the price? My answer is an unequivocal yes. First, you know that anyone there has an interest in your genre, or at least, in books and what makes them great. Secondly, no matter where you are in your writing career, you can always find workshops that will give you fresh knowledge, and improve your writing. I attended a workshop on Writing Gay Characters, and took notes like crazy--even spoke with one of the panelists who said he would gladly look over some scenes I was not sure were right. Thirdly, of course, are the pitch sessions, where you can meet that editor or agent you've been wanting to talk to, face to face. Add to all these benefits the networking, one of the most enjoyable parts of the conference. At one meal, I sat next to an author who I later learned sang in a group that does medieval music. What a coincidence! She and I started talking, and she knew I had written The Tapestry Shop, my 2010 release about a trouvere, one of the wandering poet/musicians in northern France during the thirteenth century. After I returned home, she wrote me that she read my book on her return flight, plus she send me a nice review. At a reception one evening, I met the author Karleen Koen, whose recent release, Beyond Versailles, intrigued me with its title. I am about halfway through the novel and loving it, and I loved meeting Karleen, a talented and intriguing personality.

Are conferences worth it? Of course, and in this changing industry, I believe writers' conferences are more important than ever, not only for the reasons I mentioned, but to keep track of what lies ahead on the horizon--for authors and publishers and agents. Right now I'm looking forward to the Colorado Gold conference in September, sponsored by Rocky Mountain Fiction Writers. Maybe I'll see some of you there.

My Binge on Historical Novels

For a while, beginning shortly after the release of my historical novel, The Tapestry Shop, I was busy with promotion. That, along with finishing another manuscript, kept me going at full speed. Finally, over the holidays, I took time to do some serious reading, and this time it wasn’t for research, but for pure enjoyment.


For anyone who enjoys biographical fiction, be sure to pick up a copy of Claude and Camille: A Novel of Monet, by Stephanie Cowell. Monet’s life and times come alive in her skillful use of visualization, and I learned a lot about him and the artists whose names we now associate with Impressionism.

Mistress Anne was the first Carolly Erickson novel I read, and I was hooked. I had been longing to read another two of hers: The Tsarina’s Daughter and The Hidden Diary of Marie Antoinette. Erickson’s books just keep getting better. These last two were a real treat. I kept turning the pages, dreading the end when I would have to leave the Romanov family behind at the end of The Tsarina’s Daughter. The Hidden Diaries left me wishing there were a few more pages. This book shows us another portrait of Marie Antoinette and a different look at the world and people around her. The reader is almost blinded by the gold reflection from the chandeliers at Versailles, and the vivid imagery makes you want to put on your dancing shoes and join the crowd in the glittering ballroom, even though you know the music has to end.

Book Launch at a Winery



My Daughter's Gourmet Creations



I had a very successful Book Launch/Wine Tasting event a few days ago, to celebrate the release of my new historical novel, The Tapestry Shop. Since it’s set in France, I thought a winery was the perfect place to have it. We had the whole area to ourselves, and the owner closed to the public. Invited guests ranged from librarians to author friends, and included family as well as my golfer friends. A local bookstore sold my books so I didn’t have to do anything but sign, which was wonderful because it gave me time to talk to everyone. Besides snacks and good wine, we munched on these fantastic creations which are my daughter’s specialty, her tasses de chocolat avec fruits et gâteau , shown here. Because the book is based on the life of a French poet/musician, I thought we needed music too. While it wasn’t authentic period music, a husband-and-wife team brought dulcimers and a guitar, which was perfect background music for a medieval atmosphere. This was a first for me, but it certainly won’t be the last. I’ll post more images of the event on my Facebook Author Page, http://tinyurl.com/2dyqemv .



Donna and Jeff, local musicians







Renaissance Tapestry Exhibition

Most people who enjoy tapestries display them on a wall, but many people don’t realize the practical use of tapestries in times past. Tapestries have been around for hundreds of years, even in ancient civilizations, where they not only decorated the royal residence, and were hung around the royal bed for privacy, but were also used for burying the dead.


During the medieval period, churches recognized the powerful impact a Biblical scene would have on a congregation who could neither read nor write. Between that, and the show of grandeur that every European court craved, the tapestry industry thrived. Tapestries became so coveted that they were considered war prizes, and were taken by conquering armies and brought back to their country. This makes it almost impossible to trace the origin of rare tapestries, unless the artist depicted a recognizable scene, city, or siege.

Paris was the first city to open factories for the production of tapestries, most notably the Gobelins factory. During the Hundred Years Was, weavers moved north and into Belgium. My historical novel, The Tapestry Shop, opens in Arras, France, a place so famed for its tapestries that the city name, arras,  is now synonymous with the word tapestry. What I’d give to own one of those ancient tapestries, but of course they are in museums now, the few that exist, and are kept under carefully regulated temperature, light, and humidity.

For those of you within driving distance of Sarasota, Florida, the John Ringling Museum of Art has an exhibition of Renaissance tapestries from a museum in Vienna. The exhibition began in October and runs through Jan. 2, 2011. Here’s the link http://www.ringling.org/Exhibitions2.aspx?id=8490 .

Serenades Through History

I ask you, what can be more romantic than a serenade beneath your window? Even Romeo knew that, when courting Juliet. Do fraternities still serenade freshman girls below their dorm windows? I hope so, because scenes like that are the moments that make memories.


During the 13th century, singers and performers played an active role in politics, writing poems of praise to a leader, or creating satirical plays about local politicians. Not to be outdone, there were also women composers of courtly love songs. The women were known as troubaritz, and they wrote songs and sometimes performed them in court or at secular public gatherings.

In my October release, The Tapestry Shop, the main character, Adam, is a trouvere, a poet/musician in northern France, similar to the troubadours of southern France. His songs draw the attention of a magistrate, which leads to a trail of difficulties. Later, when Adam meets Catherine in a tapestry shop, there is an instant attraction, but he later learns that she will join the crusades, a mission he does not support.

Do any of you have a memory of being sung to? If so, I’d love to hear about it, so leave a comment. Who knows? You may find yourself in one of my books, wearing a low-necked crimson gown trimmed with seed pearls, being entertained by a troubadour.

Snippets from early reviews for The Tapestry Shop:

from Renaissance Magazine:  “The Tapestry Shop” brilliantly illuminates the nuances of daily medieval life … is highly recommended and will convince the reader to set out on a quest in search of additional historical fiction novels by Joyce Elson Moore.

from Romance Reviews Today:  …meticulously researched … Beautifully written, this is an excellent novel for the fan of historical fiction.

Newsletter Help

With the release date of The Tapestry Shop coming ever closer, I’ve had to jockey my time between writing, and getting the word out about my book. My readers may find today’s blog helpful, as most of us have something we’d like to share, from time to time, with either friends, family, a social group, or perhaps members of your church or book club or P.T.A. For authors, marketing has become a fact of life, like it or not, and we all must look for ways to let our readers know about our newest story, methods that won’t suck up precious writing time, and won’t strain the budget.

Any element of marketing may work for some and not for others, but I thought I’d share with you something I learned this week. If, like me, you don’t know html, I’ve found a solution. I was looking for a template for a newsletter, and ran across a site that compares the Top 10 sites, rather like a Consumer Guide for email services. 

To my surprise, among those top 10, I found one that for $8 a month, will keep your email lists in groups (alumni, RWA friends, etc.) so you can send a personalized newsletter to one group or all. After they send your newsletter out, you can cancel the service until you need to send something again, and you’re not charged for those months. However, your lists are still there, and you can add names or delete them during those cancelled months.

I signed up for the free trial, and during this time, they helped me bring the look of my website to my proposed newsletter. Thus, I have an original design that matches the feel and theme I wanted. But that’s not all. They have a free webform you can put on your website so people can sign up to receive your newsletter (you can also put it on Twitter or FB or wherever). They have instant Chat help, and even made a quick video to show me how to do something. So now I have my newsletter parked on their site until I’m ready to send it out. You can publish your newsletter on the web, too. Your lists can be imported from spread sheets or CSV files so you don’t have to type all your contacts in, or laboriously copy/paste. There are other sites out there that I’m sure do the same thing, but I chose Mad Mimi, and am having fun designing my own newsletter.

Tapestry and weaving has always held a fascination for me, even though I’ve never learned the craft. I’ve seen weavers at reenactments, and tapestries in museums, though. Many of them reflect the geographical location and time period in which they were created. If you google “tapestries” in Wikimedia Commons, you’ll see what I mean. Those by Spanish artists are different from the French, just as painting style and medium differ.
Today, though, I’m blogging about a different kind of tapestry—one created with flowers. Every two years, since 1971, the city of Brussels has an exhibition that draws tourists from miles around. The image above shows the completed floral masterpiece, made of 700,000 begonias. The flowers are arranged on a transparent piece of plastic, perforated to allow enough humidity to reach the blooms to keep them looking fresh longer.
This particular pattern was copied from a tapestry, one of the French Savonnerie. The Savonnerie workshop was founded in Paris in 1628, and produced lavish tapestries for royal palaces, as well as for state gifts and commissions. Now, almost all original Savonnerie tapestries of the 17th and 18th centuries are in museums.
The workshop apprenticed orphans to work in the factory. Where they came from and what they learned is the subject of my next blog.

Robert II of Artois

Robert II, Count of Artois, lived during the thirteenth century, and a few years into the 14th century. Robert was the nephew of Louis IX, later known as Saint Louis.
During Robert’s youth in the city of Arras, he had a reputation for initiating boyish pranks, such as bringing a falcon into church, or turning farm animals loose to cause mischief.
As he grew into manhood, he became an experienced soldier. He also participated in the Aragonese Crusade, a part of the War of the Sicilian Vespers. His shield probably blazed with the Coat of Arms on the right, that of Artois.
During Robert’s lifetime, he married three times, always to women of nobility. He was a patron of the arts, and as such, continued the family practice of supporting numerous French artists and musicians. It is generally believed that he was the patron of Adam de la Halle, on whose life my October release, The Tapestry Shop, is based. Thus, Robert and his French court figure prominently in the book.